Essays
Clare Brodie, ‘Illuminating Moments,’ 2022
Essay by Lana Hoffman,
C Studio Gallery Group
“This series explores physical and metaphysical moments of illumination. Whether it is a back-lit leaf, an iridescent refraction or the lucid reflection from when we stand still, we find our place within the larger continuum. Evocative, non-associated colour palettes quietly build up in thin layers, revealing an ethereal atmosphere. The work’s stylised visual language is formed by patterns of oscillating, floating forms and the rhythm of tree trunks through which elusive shapes weave. The recurring presence of three moons in contracting sizes accentuates illusions of breadth and distance. A new understanding is found as landscape emerges through mindscape, and the macro and micro converge.”
Clare Brodie’s latest body of work, ‘Illuminating Moments,’ is an odyssey, crossing the realm of g has progressively embraced the heterogeneity with which individuals and communities subjectively experience, value and express place and time. Through her evolving practice,Brodie has challenged herself to experiment with more abstracted notions of landscape, and in doing so believes that her true self is gradually revealed.
Brodie’s process is measured but still instinctual. Sewing a continual visual language, each consecutive canvas elaborates on the former, introducing new aesthetic variations. As the series unfolded, Brodie focused on modulating form and colour in order to execute a holistic balance. The result becomes a cathartic experience for the viewer who in moments of illumination is transported from the physical to the metaphysical.
“I am always looking for illumination, I look for sign posts on what I should lean into. My art is my calm, it is the way I move forward, it makes sense, It is how I decipher the noise – and step by step I find my truth, my power- I find my way.” – Clare Brodie, 2022