Art W**k Episode 74
After listening to many podcast I was chuffed to be asked to be part of one. Julie Nicolson and Fiona Verity were hilarious and through a casual chat drilled down into my art practice and how it all came about in the most delightful way. Have a listen to where ever you stream podcasts.
Spring 1883 Art Fair
Elusive Forms 3 is part of the line up for Scott Lawrie representation at Spring 1883 art fair. Due to COVID 19 it can be viewed on Artsy for an online version.
2021 Waverley Art Prize
Delight Pause- Breathe 7 is part of the line up for the finalist for the 2021 Waverley Art Prize
New Zealand Representation
Delighted to announce new gallery represented at Scott Lawrie's gallery in Auckland New Zealand.
Clare Brodies' Heartscape Solo
Clare Brodies' Heartscape Solo Exhibition will be at Studio Gallery Sydney 5 November 6.30pm 3-7 Dank Street Waterloo, Sydney. RSVP to askstudiogallerygroup@gmail.com (40 people capacity)
Studio Gallery Group Talk and Dinner
Clare Brodie is Studio Gallery Group's guest speaker at Art Series Dinner.
Studio Gallery Sydney Opening
Clare Brodie's TIME LINE 6 is selected for Studio Gallery Sydney 2020 Opening Group Show. The catalogue and opening times are on the Studio Gallery Melbourne web page.
KAAP Finalist
Clare Brodie's TO THE HILL AND BACK from Meandering Series is a finalist in the KAAP.
The Korean Australian Art Foundations set up the KAAP 7 years ago to promote multicultural relationships through the arts. It has exponentially grown from approx 65 entrance to 600 and helped support artist and their careers. Big thanks to Cathie Kim who tirelessly organises this event.
Travel And Stop Solo Exhibition
TRAVEL AND STOP
Solo exhibition at Studio Gallery Melbourne
Exhibition 1-15 November 2019
This current series is infused with the emotional response I feel when I am compelled to stop and take a moment to view a particular country scene and how being drawn to these moments in time, enhances my well-being.
I ponder on the role of memory as I interpret my surroundings. Australian panoramas blend with my English childhood recollections that saw me wearing a cherry red jacket to keep me snug in the snow. This colour has become symbolic in the collection, a focal point in the artworks, an actual stop sign.
Distant trees have morphed into geometric shapes and blend with organic forms creating my own figurative language. The colour pallete sits lightly between reality and poetry.
Recurring themes of roads and trees with the repetition and elimination of detail, creates a physical sense of order and personal harmony. Small vignettes are deliberately placed at the edges of the painting to lead the view outward and beyond.
These works continue to enhance my exploration of observational art where focused placement and scale creates semi-abstract art works that still time #artworksthatstilltime-
.
Brightest Of Days Solo Exhibition
BRIGHTEST OF DAYS
Solo exhibition at Art2muse
Exhibition 15-28 October 2019
Brightest of Day is a series of works which explores the winter landscape which I observed whilst on holiday in Orange. It seemed that for a country that celebrates summer, that in fact our brightest day is in winter with liquid blue sky and shimmering foliage.
I did preliminary water colour sketches made on location to record my emotional response. This helps build the pictorial language which is repeated through out this series.
Within my studio, canvases begin with vague pencil sketches with free flowing washes. Layers of matt vinyl paint are build up slowly using flat wide brushes. Vigilant observation leads to incrementally adjustments in an obsessive manner. Art works progress slowly; each new shape alternating what went before to create an overall rhythmic harmony.
Recurring themes of roads and trees with the elimination of detail and repetition creates a physical sense of order and harmony. Small vignettes are deliberately placed at the edges of the painting to lead the view outwards and beyond.
My usual neutral pallet is used with a combination of intensely saturated colours, often using complimentary schemes. White is specifically placed to lead the viewers eye through the painting.
These works continue my exploration into my observational art where I use scale and placement to create semi-abstract art works that still time #artworksthatstilltime-
.